Thanks Chet, you seem to really know your tubes. Here is a question that I have had since I went looking for replacements for the Groove Tubes. Originaly I was looking for the exact tube the Cyber Twin manual called for. Groove Tube 12ax7wa. When I went looking for them I found several places that carried GT 12ax7 but no one carried the (wa) they had all these other 12ax7 tubes but not the (wa). Finaly I found (of all places) this pawn shop that is half guitar store half pawn shop near Cleburn TX and they had the sovtek 12ax7wa. I knew that my dad's tech recomended sovtek tubes for his Twin so I went with the sovtek 12ax7wa tube the guy had in stock. I had one place tell me that there was no such Groove Tube as a 12ax7wa in the groove tube catalog. Ok long post I know but bare with me here. I got the sovtek tubes and pulled the chasis on the Cyber Twin. The tube ended up not being the problem. The spring loaded tube cover had come loose and due to sound vibration was making a high pitched whistling noise at higher volumes. I thigtened the cover down and problem was solved. Then I started wondering what difference the Sovtek tubes would make so I put them in and got a warmer creamier tone and stuck with those. But guess what the groove tubes said on them. 12ax7wa the same thing the one guy said was not even in the catalog. Ok sorry this is taking so long to get to the question. What does the (wa) stand for and what is the difference between the (wa) and the other 12ax7 tubes?
I asked GT customer service and here is what I got.
These are available directly from Fender or the WA / WC is also at any GT dealer as the 12AX7R
www.groovetubes.com/product.cfm?Product_ID=1166 Tube choice and selection is very much personal
taste and preference. You can find a document that
will go into this in great detail, and give you
information on tube types, characteristics, and also
on the rating system used by GT, conversion from
Mesa to GT and Fender to GT tables, matching information
and more.
www.guitaramplifierblueprinting.com is the
website, and the document is the Tube Primer, v1.31
which has a link and button for download or viewing.
V1.31 is 47 pages and not too bad to download.
v3.20 is in two sections and about 200 total pages
total, if you want a LOT of info.
On rating numbers:
Basically, a #1 will distort sooner, and a #10 later. If, for example,
with a mid range tube, say a #5, makes your amp start to break in the
output section at a volume setting on the amp of "4", then with a lower
number tube, like a #2, your amp would have a same sort of break into
output distortion at say a volume setting of "3". With a higher tube,
such as an #8, then you amp would stay clean to about perhaps "6" on
the volume.
High rating numbers are not more or less powerful, they just distort
later. These are preferred by heavy rocker that want maximum clean
output, as they get their distortion and tone from effects or pedals.
These are not as touch dynamic.
Low number tubes are very touch dynamic, and more suited for a
lot of folks, for smaller venues and recording.
Most folks prefer the 4-7 range tubes, as they are the closest in character
and touch to what the amplifier designer had in mind. They are also the most
versatile.
On scale conversions:
On Fender amps, output tubes in newer amps are
color coded. The scale is:
Blue = GT 1-3 rating
White = GT 4-7 rating
Red = GT 8-10 rating
On Mesa Boogie amps there are six color codes.
All of them are in the GT 4-6 range. These amps
have a fixed bias to staying in this range is the
same as Mesa tubes.
Mesa vs Groove Tubes scale
Red 4
Yellow 4
Green 5
Gray 5
Blue 6
White 6
Regards,
Myles S. Rose
GT Special Applications Group / Tech Support
www.guitaramplifierblueprinting.comwww.groovetubes.com